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Repertoire 2027/28

We captivate your audience wherever we perform – whether in large concert halls, on festival stages or in intimate off-venues. The Stegreif Orchester radically breaks with the conventions of traditional concert performance: without sheet music, without chairs and without a conductor, we move freely around the space and create a three-dimensional, immediately palpable connection with the audience.For 2027/28, we’re bringing a diverse portfolio of cross-genre productions, offering exactly the right production scale for every venue and every space.

For small venues, we present a subtle seven-piece ensemble with explore_händel, which transforms more intimate spaces into exciting soundscapes ranging from Baroque to jazz. For medium-sized stages, productions such as freeBach [WT], feel:free, echo:chamber and freemahler unfold their dynamic and multi-layered appeal. And for the very large halls and festival stages, we bring the full orchestral line-up – expanded to include electric guitar, saxophone and drums – to the stage. In bfree, escape valse, freeEroica and freebruckner, 26 musicians fuse the sound of a classical orchestra with jazz, folk, pop, techno or even dance to create a modern, symphonic and performative force of nature. Whether in open spaces without seating, in a traditional auditorium, or complemented by interactive community projects and music mediation – we have the right format for every venue.

Show your audience what dynamic orchestral formats can look, sound and feel like today, and let’s create unforgettable musical experiences together!

The full 2027/28 repertoire:

Repertoire 2027/28
Repertoire Overview 2027/28

Large ensemble
24-26 musicians

escape valse
freebruckner
freeEroica
bfree

Medium-sized ensemble
11-16 musicians

freeBach [AT]
freemahler
feel:free
echo:chamber

Small ensemble
7 musicians

explore_händel

Music mediation

Contact

Fancy booking Stegreif? We’d love to hear from you

Lorina Strange
General Management
lorina@stegreif.org
+49 157 32481410

large ensemble

escape valse

A danced concert

75 min. without any Intermission
26 musicians & 5 dancers

Maurice Ravel’s La Valse forms the basis for escape valse, creating a danced concert about intoxication, ecstasy and connectedness in the face of social upheaval. Against a backdrop of swelling din, improvised individual voices, utopias and doubts collide.

In collaboration with choreographer Juan Kruz Díaz de Garaio Esnaola, music and performance merge into a single entity. The orchestra acts as a dynamic stage, creating a three-dimensional auditory experience. Musically, reworkings by Mike Conrad, Lisa Morgenstern, Ralph Heidel, John Hollenbeck and Maria Gstättner masterfully blend the genres of jazz, techno, neo-classical and pop.

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Bild: Navina Neuschl

bfree

connecting europe through Beethoven's 9th Symphony

90 min. without any Intermission
27 musicians

Borders are open – between countries, genres and art forms. The bfree programme combines folk songs from across Europe with Beethoven’s 9th Symphony. Inspired by the idea of a ‘European Symphony’, the musicians of Stegreif weave folk melodies from their home countries into Beethoven’s monumental work to tell stories of freedom, longing and togetherness.

The reworkings of the first three movements by Juri de Marco, Alistair Duncan and Bertram Burkert blend traditional songs such as Bella Ciao with original passages. The fourth movement (Ode to Joy) was arranged by Uri Caine; Stegreif performs it in a surprising way, without a large choir, using vocals, orchestral sounds and electric guitar.

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Bild: Navina Neuschl

freebruckner

A reworking of Anton Bruckner’s Symphony No. 7 in E major

85 min. without any Intermission
26 musicians

In freebruckner, Stegreif explores Anton Bruckner’s 7th Symphony, blending symphonic music with Bruckner’s characteristic art of improvisation. The ensemble interprets the work with improvisational freedom and the lightness of chamber music. The mournful music (Trauermusik) of the famous Adagio serves as a catalyst for reflecting on the experiences of loss in contemporary society.

Around 30 female musicians enrich the orchestral sound with saxophone, drum kit, electric guitar and vocals. Moving freely around the space, performing from memory and without a conductor, the performance breaks down the boundaries between audience and performers, as well as between composition and improvisation.

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Bild: Patrick Hürlimann

freeEroica

Recomposition of Beethoven’s Symphony No. 3, ‘Eroica’

65 min. without any Intermission
24 musicians

With freeEroica, Stegreif explores Ludwig van Beethoven’s Third Symphony and the spirit of revolution. Originally dedicated to Napoleon, the work stands for liberty, equality and the courage to resist. Stegreif’s recomposition weaves together historical upheavals with the present day and asks what it means today to fight for utopias.

Without sheet music, chairs or a conductor, the orchestra radically breaks with traditional listening conventions. Through performance, improvisation, broken bars and disrupted spatial concepts, Beethoven’s revolutionary impulse is brought to life in the here and now.

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Bild: Frederik Ferschke

medium-sized ensemble

freeBach [WT]

A reworking of J.S. Bach’s Musical Sacrifice

from May 2028
75 min. without any Intermission
16 musicians

With FREEBACH [WT], Stegreif takes Johann Sebastian Bach’s Musical Sacrifice – a work brimming with mathematical puzzles and symmetries – as the basis for a radical recomposition. Together with Alistair Duncan and other international composers, the ensemble transposes the Baroque geometries into the present day, combining composition, improvisation and movement.

In doing so, the performance transcends traditional boundaries: the orchestra acts as a choreographed body, with no fixed seating. The musicians dynamically reshape the space, mirroring movements and translating complex musical structures into a three-dimensional, living soundscape.

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Bild: Alexander Ziegler

freemahler

what the earth tells us

60 min. without any Intermission
11-15 musicians

Over a hundred years ago, Gustav Mahler captured the beauty of nature in music – a nature that is now under acute threat from climate change. The Stegreif Orchestra draws on melodies from Mahler’s Symphonies Nos. 1, 3 and 10, Das Lied von der Erde and the Wunderhornliedern , contrasting their lightness with themes of transience and destruction.

To this end, four composers (and teams of composers) bring these diverse works together in a multifaceted recomposition. As artists, Stegreif uses music at this pivotal moment in time to draw attention to the existential climate crisis, to encourage reflection and to call for a shift in consciousness.

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Bild: Bernd Schölzchen/Kasseler Musiktage

FEEL:FREE

a musical invitation

75 min. without any Intermission
12-18 musicians

Whether standing, dancing or right in the thick of it: feel:free is Stegreif’s invitation to rediscover orchestral music. The programme breaks with classical conventions and is aimed equally at those new to classical music, groove fans and seasoned listeners. At its heart lies the atmosphere of the moment – full of energy, space for expression and powerful emotions.

Works by Wilhelmine von Bayreuth, Emilie Mayer and Edward Elgar’s Enigma Variations blend with original compositions by ensemble members and free improvisations. Through their reactions, the audience not only accompanies the performance but also actively shapes the musical frenzy.

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Bild: Paul Saint-Paul

ECHO:CHAMBER

Improvisation im Widerhall des 20. Jahrhunderts

60 min. without any Intermission
12 musicians

In echo:chamber, Stegreif focuses on three 20th-century works that reflect political upheaval and grief: Richard Strauss’s Metamorphosen for string septet as a reflection on cultural loss, György Ligeti’s Six Bagatelles on the turmoil of the post-war era, and Alfred Schnittke’s Silent Music, which leaves room for the unsaid.

However, the concert does not dwell on the past. In typical Stegreif style, the compositions are juxtaposed with spontaneous improvisations. In this way, historical turning points are directly interwoven with the here and now – as an emotional musical commentary on contemporary history and the present day.

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Bild: Frederik Ferschke

small ensemble

EXPLORE_HÄNDEL

A fusion of jazz and Baroque music based on works by George Frideric Handel

75 min. without any Intermission
7 musicians

Improvisation bridges the gap between jazz and the Baroque, where ornamentation and basso continuo were once the norm. Stegreif draws on this shared element to offer a modern perspective on the works of Georg Friedrich Händel: from the Concerto Grosso in G minor (Op. 6 No. 6) through the Rinaldo aria Lascia ch’io pianga to the oratorio Israel in Egypt.

Under the direction of Alistair Duncan, seven musicians perform a chamber music piece from memory, moving freely around the space and without sheet music. Drawing on their diverse backgrounds, they bring Handel’s music to life anew in the here and now – at the intersection of historical practice and the modern art of improvisation.

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Bild: Lucie Schulze

Music mediation and community work

Education

Education with Stegreif

Since Stegreif was founded, the orchestra's musical practice has gone hand in hand with audience-oriented music education work. This is closely linked to our musical identity.

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Bild: Catriona Fadke